The absurd is always close to us, more than we know or think about or realize. For movie directors and film companies there is much cachet to creating films that depict surrealist elements that are also realistic enough. There have been many of these, done by the most acclaimed directors and also with good box office performances.
Not only is surrealism a good and novel element in films, it has been a movement in art, novels and theater. There used to be such a good demand for specifically surreal comedies unlike what we have today, because audiences nowadays are accustomed to the surreal. This means that it is an already accepted element that does not turn off audiences.
It was also related to the Dadaist movement, which combined the most unusual things into surprising, even shocking scenes. But surrealism belongs to dreams, the subconscious part of the mind. Artists know how scenes like these are relatable in strange ways, and will often have connections to everyday living and scenes.
There were times these kind of comedy created waves on all sorts of art genres. For the films in Hollywood, a primary concern is if it will be commercially successful while achieving good critical reviews. People like Scorsese have come out with their own hit features that use all sorts of absurdist plots and themes.
Today the people watching features do not have to know the precise surreal elements that are present. One reason is because this has become such a casual element for people, disbelief is suspended easily and has become common practice. The audiences here know that the surrealism is already a given as storylines are improved by tech, even the obviously surreal films will not be labeled like that.
Technically, all things are possible with film today, and directors and screenwriters really make use of this. The advantage for them is that most of the technical means were directly developed for filmmaking. But technology is not the maker of surrealism or its elements, because much of it can be based on the storyline.
Writers and artists may know how to use it, and they can be developed for stage or screen. There are plays in which situations are really surreal but not out of this world, and in fact are very much rooted on physical realities. This is one thing that can distinguish the best kinds of comedies for this specific genre.
The production of movies like these should not be reliant on technology. But it is not exclusive to the use of any special effects that may apply. The more advanced or better quality movies can be told straight up, with just the basic technical equipment for features, and the surrealism will be better pronounced or played up according to how a director wants it to work.
Lists of items that have this type of absurd humor are available on the internet. Reviews are checkered, since many are B levels and some good ones have entered the mainstream. The range is relevant, because their are also items that go from minor to extremes, and a good director knows how to work these in to the plot.
Not only is surrealism a good and novel element in films, it has been a movement in art, novels and theater. There used to be such a good demand for specifically surreal comedies unlike what we have today, because audiences nowadays are accustomed to the surreal. This means that it is an already accepted element that does not turn off audiences.
It was also related to the Dadaist movement, which combined the most unusual things into surprising, even shocking scenes. But surrealism belongs to dreams, the subconscious part of the mind. Artists know how scenes like these are relatable in strange ways, and will often have connections to everyday living and scenes.
There were times these kind of comedy created waves on all sorts of art genres. For the films in Hollywood, a primary concern is if it will be commercially successful while achieving good critical reviews. People like Scorsese have come out with their own hit features that use all sorts of absurdist plots and themes.
Today the people watching features do not have to know the precise surreal elements that are present. One reason is because this has become such a casual element for people, disbelief is suspended easily and has become common practice. The audiences here know that the surrealism is already a given as storylines are improved by tech, even the obviously surreal films will not be labeled like that.
Technically, all things are possible with film today, and directors and screenwriters really make use of this. The advantage for them is that most of the technical means were directly developed for filmmaking. But technology is not the maker of surrealism or its elements, because much of it can be based on the storyline.
Writers and artists may know how to use it, and they can be developed for stage or screen. There are plays in which situations are really surreal but not out of this world, and in fact are very much rooted on physical realities. This is one thing that can distinguish the best kinds of comedies for this specific genre.
The production of movies like these should not be reliant on technology. But it is not exclusive to the use of any special effects that may apply. The more advanced or better quality movies can be told straight up, with just the basic technical equipment for features, and the surrealism will be better pronounced or played up according to how a director wants it to work.
Lists of items that have this type of absurd humor are available on the internet. Reviews are checkered, since many are B levels and some good ones have entered the mainstream. The range is relevant, because their are also items that go from minor to extremes, and a good director knows how to work these in to the plot.
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